Late in “Literary Brooklyn,” Evan Hughes quotes the opening words of a Paul Auster novel: “The address is unimportant. But let’s say Brooklyn Heights, for the sake of argument.” For Hughes, the address is terrifically important, as he charts New York’s most-populated but (his description) “less exceptional” borough. We learn which writers lived where, which were neighbors or enemies; which houses no longer stand and which are now worth $18 million. Meanwhile, the argument that emerges, recedes, rallies and falters throughout is that Brooklyn, because more human in scale, is more American than Manhattan and has particular stories to tell about the rest of the land.
LITERARY BROOKLYN
The Writers of Brooklyn and the Story of American City Life
It is probably no fault of Hughes, but of our age, that this argument is rather more convincing when one travels back in time. The book begins with
Walt Whitman, proclaimed the “grandfather of literary Brooklyn,” and ends with novels published just last year. Organized by both chronology and theme, the book takes in more than 30 writers and 150 years. Itching to fit it all in, Hughes rides a current of unbridled enthusiasm for his subject matter…
(Read more.)